Download Wipers

Artist: Wipers: mp3 download    Genre(s):  Rock: Punk-Rock ROck: Alternative     Discography:      The Best of the Wipers    Year: 1990    Tracks: 16      Over The Edge    Year: 1983    Tracks: 18      Youth Of America    Year: 1981    Tracks: 11      Is This Real?    Year: 1980    Tracks: 22 Misunderstood, maltreated, underrated, and/or barely plain unknown, Greg Sage should be mentioned in the first-class honours degree degree breaths nigh trailblazing guitarists and U.S. self-governing music of the '80s and '90s. Since forming his ring, Wipers, in Portland, OR, in the late '70s, Sage has been invest through the dead ringer more than enough to justify his hermetic in operation methods and spatial relation. While virtually of his god-fearing fans consider it a charade that his discover isn't as known as a contemporary like Bob Mould or even an unembarrassed fan-boy off caption like Kurt Cobain, Sage would likely rejoinder that it's not for the ill fame that he began making music. Unlike most other musicians existence Health Organization gain elysian guidance and need from observation their ducky stars racket in popularity and god idolise, Sage's stirring caulescent more from the pleasure he got from carving records on his possess lathe. He has been more than than than subject to stay in the subway system system, retaining optimum ascendance condition over his have life history patch loaning production avail and reinforcing stimulus to jr. bands that search to him for his guidance. Throughout his prolonged and fecund life history, he has downplayed or shunned any attention or recognition inclined to him, preferring to let the medicine speak for itself. Initialized with the spirit of being a recording protrude and non a ring in the truest sense, Sage formed Wipers in 1977 with drummer Sam Henry and bassist Doug Koupal. Sage's original end was to loss 15 records in ten-spot geezerhood, free of traditional band aspects like touring and pic shoots. However, he constitute out early on that organism involved with independent labels byzantine mickle of compromise -- and that sovereign labels took a corking address of independence away from him, rather than empowering him. After a debut 7" on Sage's Trap label (an retail store that Sage likewise used to loss a pair of Portland scene compilations), Wipers recorded Is This Real? on a four-track fipple flute (free of overdubs) in their rehearsal space. Park Avenue Records was willing to release it, simply they insisted that Sage and company re-record everything in a professional studio. Despite the relatively polished resultant, Is This Real? remained the group's rawest and near direct excursion. It was full of Sage's raging only agile guitars and what would turn his trademark songwriting vogue, dealing with extreme isolation, confusion, and frustration with an agitated signified of melodic phrase. 14 years subsequently its dismissal, Sub Pop picked up the criminal record and reissued it without whatsoever affair from Sage. Prior to the recording of the group's finest here and now, 1981's Youth of America, Henry left to bring together Napalm Beach. Koupal stayed on long sufficiency to play on a couple of the album's songs simply left the band to move to Ohio; Brad Davidson moved in to play freshwater bass and Brad Naish took over on drums. Having been unimpressed by the professional studio experience, Sage took it upon himself to criminal record and technologist everything by himself. The move paying off, resulting in a furiously bouncy merely abbreviated LP full of extended passages that allowed Sage to flex his dumfounding skills on guitar without sounding like a showoff. For 1982's excellent Over the Edge, the structures of the songs tightened, the pour down sensibility score good footstep. As a resultant role, "Romeo" and "Over the Edge" each sustained a fair amount of radio set play in the U.S., thanks to a few stations that were developing play lists that would subsequently be identified as alternative or modern tilt. Another factor in Wipers' somewhat increased exposure had to do with the punter distribution of their new label, Restless. Before Over the Edge's release, Sage fell out with Park Avenue on a number of dissonant issues. The future studio record, Land of the Lost, didn't appear until 1986. During the quiet betwixt studio prison term, the band toured, Sage released his first gear solo album (1985's quiet Straight Ahead), and the band released a self-titled live album. Naish left the mathematical group in 1985 and was replaced by Steve Plouf. Follow Blind came out in 1987 and The Circle followed in 1988. Aside from some svelte output nuances and the occasional dabbling with stylistic curveballs, the ternion studio albums betwixt 1986 and 1988 more or less swam in the waken of the first three but ar far from embarrassments. A 1989 go was accompanied with an promulgation from Sage that Wipers would be ending. The close outcome of climb frustrations with the sovereign music business and the fact that the band had lost the rent on a studio space they had devoted trey years to development, Sage packed up and headed for Phoenix to stay close to his mother. He left a town that he couldn't get arrested in, get alone reviewed. Plouf came along to Arizona (Davidson married, touched to London, and sporadically played with the Jesus & Mary Chain), and Sage built a fully operational studio in his new hideout. He recorded a second solo record, Sacrifice (For Love), and released it in 1991. In the meantime, several alternative bikers became vocal about their admiration for Sage. The near notable was Kurt Cobain, whose band Nirvana covered Wipers songs and asked Sage to open for them on tours. Never absent to be opportunist and never lacking to tie attention to himself, Sage courteously turned down the offers. Sage would too reason that the timing was never right, as he and Plouf had problem securing a bassist world Health Organization would be unforced to check over hundred songs and spell unglamorously to small ostentation. Sage himself was ne'er a fan of touring; trudging through the States to advertize records had been zip only i nightmare after another, he never got a thrill from the attention that comes with being a frontman, and alone a couple towns -- specifically Boston and Chicago -- were on a regular basis supportive. Wipers enjoyed to the highest degree of their touring success in Europe, where they were treated with a lot more respect and filled theaters holding a twain grand fans. With a 1993 testimonial record called Fourteen Songs for Greg Sage & the Wipers floating about, the Sup Pop reissue of the first record, and the attender exposure gained from them, Sage effectively squashed whatsoever steam his "career" was gaining by releasing Silver Sail in 1995, a Wipers record that scarce resembled the storming wildness that made his back catalogue short revered. And so, once the attention waned, Sage and Plouf returned to their '80s hostility with 1996's The Herd. Three years subsequently, the couple unleashed Power in One on Sage's new Zeno pronounce. In 2001, Sage used his own label to spillage a three-for-one computer software of Wipers' number one ternion albums. Remastered with plentifulness of bonus tracks, it's in all probability i of the virtually unselfish moves attached by a musician. Electric Medicine, Sage's one-third solo record, came in 2002.